Brand & Visual Design Studio

Brands with soul,
made by hand.

Sophisticated, vibrant visual design for founders and small teams building brands that actually speak to their audience. Every logo, identity system, poster, and accessible document starts with understanding exactly who you're trying to reach, then building a visual language that feels true to you and resonates with them. Human-first creative direction. Finished by hand.

100%
Human-led creative direction and design
AI
First step of research. Humans refine it, deepen it, and handle all visual curation.
24h
Reply on every enquiry
1:1
Direct access to me on every project. No handoff, no layers between you and the work.
What I make

Visual design with soul.

Sophistication you can frame, vibrance you can feel. Every decision is curated by a human eye. Creative direction always comes first.

Brand Identity

Logos, type and colour systems, and full brand guidelines that make you unmistakable without making you generic.

Editorial & Print

Posters, magazines, advertisement layouts, and creative direction with personality and polish.

Accessibility Design

Beautifully designed documents that meet WCAG 2.1/2.2 AA. Inclusive does not have to mean lifeless.

Student Design Work

For small student organizations on small budgets. Logos, social guidelines, event branding, and presentation systems at far below market rate. Student ID required.

Tired of brands that don't feel real?

Let's build something that actually resonates with the people you're trying to reach.

Services

What I make.

All projects require a small consultation call to make sure we're on the same page, so think of these as starting points. Discovery calls are free, no pressure to book. Students always get a premium discount.

Brand Identity Systems

Whether you are starting from a blank page or growing out of your old look, I build brand identity systems that feel human, not corporate.

  • Single logo design
  • Full brand identity systems
  • Type and colour systems with guidelines
  • Social, print, and business card templates

Editorial & Creative Direction

Posters, magazines, editorial layouts, and the creative direction to pull a campaign together with personality.

  • Editorial layout and magazine design
  • Poster and print campaigns
  • Advertisement design
  • Photo art direction and curated edits

Creative direction from $250 for a 20-image edit. Custom quotes for shoots and editorials.

Accessibility Design

Accessibly designed documents that meet WCAG 2.1 / 2.2 AA conformance, AAA where applicable. People with visual disabilities deserve documents that are interesting, not just functional.

  • Small docs: 10-20 pages, single column, modest complexity
  • Medium docs: 20-50 pages, branded, multiple content types
  • Accessibility audits and remediation
  • Branded accessible document templates

Small: $1,200 to $2,500 CAD. Medium: $3,000 to $7,000 CAD.

Student Design Work ID required

For student organizations wanting to appear more professional and credible, but don't have the budget for agency rates. A full toolkit of brand essentials at student-friendly pricing.

  • Logo & basic identity
  • Brand strategy & positioning
  • Social media guidelines & templates
  • Event branding system
  • Presentation & slide deck system
  • Website essentials (landing page, basic CMS)

Far below market rate. Pick the deliverables you actually need. Valid student ID verification required.

Brand tiers

Pick the brand that fits.

Four shapes a brand identity project can take, scoped and priced honestly. All in CAD. Pricing reflects current capacity while I grow the studio, so these are exceptionally competitive for the depth of work.

Brand Launchpad

$3,000 – $5,000

For founders going from idea to identity. Strategy first, then a logo and look that earns trust on day one.

  • Brand strategy workshop
  • Naming direction
  • Logo & primary identity
  • Basic style guide
  • Starter social kit

SaaS & Tech Brand

$5,000 – $10,000

For software and tech founders who need the brand and interface to have a cohesive identity.

  • Tech-oriented positioning
  • Logo & identity system
  • UI kit and component direction
  • Pitch deck templates
  • Launch animation or motion sting

Social Campaign System

$2,000 – $5,000

For brands that already have an identity but need a cohesive visual strategy for social media. In this era, it's essential.

  • Campaign concept & visual direction
  • Post and story templates
  • Content pillars & cadence guide
  • Caption tone-of-voice direction
  • Reels covers & hero asset set
How we work

A simple, four-step process.

01

Discover

A free intro call about your business, your audience, what is working, and what is bugging you.

02

Refine

I send back a fixed-scope proposal with timelines, deliverables, and pricing. You approve before anything starts.

03

Create

I design, you review, we refine. Clear milestones, no ghosting, no scope creep, no surprises.

04

Deliver

Final files in every format you need, with guidelines so the look survives long after I have handed it off.

Got something in mind?

I take on a handful of clients at a time so the work stays real. Let's chat before the next slot fills.

Selected work

Recent obsessions.

Work organized by category. New projects are added as they ship.

Editorial & Print

1 project
Nova Initia. issue 01  ·  six spreads
Editorial Magazine Photo Direction Typography

An editorial on student loneliness

Six-spread editorial exploring depression, burnout, and loneliness among students aged 18 to 22 living away from home for the first time. Research and audience analysis defined the emotional challenges that shaped the design.

Subdued, introspective tone built from dark backgrounds, restrained colour, and high-contrast typography. Inspired by Enfants Riches Déprimés.

View project →

Brand Identity

1 project
Add thumbnail
Brand Identity Game Design Sustainability LCA

ECO — A Card Game About Mindful Consumption

A versatile card game built around four ecological suits: sustainable sourcing, community impact, energy consumption, and fuel exhaustion. Multiple game modes printed on the box, plus a life cycle assessment that shaped every material decision.

View project →

Accessibility Design

1 project
VCD Handbook cover
Accessibility Editorial Document Design WCAG AA

VCD Handbook for the U of A

A 21-page student handbook for the University of Alberta's Visual Communication Design program, designed for screen-optimized accessibility from the ground up.

Full WCAG 2.1 AA conformance with semantic heading structure, defined tab order, alt text, and sufficient colour contrast. Validated using Adobe Acrobat's Accessibility Checker.

View project →

Student Design Work

Open for projects

Student org work goes here as it's completed. Running a club, society, or campus group? Get in touch with a valid student ID.

Scroll to explore

Yours could be the next one.

Case studies are nice. Working together is nicer.

About

Hi, I'm the studio.

Madison

Orkid Studios is an independent visual design studio based in Edmonton, Alberta. I work with founders and small teams who want their brand to feel like a person, not a process.

I came at this from the art world first. Throughout high school I was torn between film and visual art, but when I discovered design, it just clicked. Here was a way to stay creative, to keep making and building and curating, but actually get paid for it. I spent years painting, drawing, and working with sculpture, and that foundation shaped everything I do now. I came from a small town where everything felt like a chain, but when I'd visit bigger cities and see local businesses with real soul in their design, I understood what I wanted to spend my career doing. I wanted to help people build brands that feel like them.

My take on AI is that it is a tool for the backend, never the front. It handles the technical work: market research, SEO, data analysis, the margins and the math. But every visual decision, every moment of curation, every choice about how your brand looks and feels, that's human-only. AI cannot curate. It cannot refine taste. It does not know what your brand should feel like or how it wants to be remembered. My creative direction, my eye, my judgment, that's always mine. I design first as a human, and tools serve that vision, never the other way around.

I work best when we can nail down exactly who your audience is, and then build a visual language that speaks directly to them. When your brand feels true to who you are on the inside and resonates with exactly the right people on the outside, that's when we've done something real.

Human-first, alwaysCreative direction and final judgment are always mine. Tools serve the work.
Bold but sophisticatedVibrant doesn't mean loud. Personality with polish.
Honest pricingFixed scopes, clear quotes. Students always get a premium discount.
Small client listA handful of projects at a time so you actually get me.
Contact

Let's make something warm.

Tell me a little about your project and I'll get back within one business day. Discovery calls are always free.

Quick details.

Prefer email or a quick chat? Both work. I read every message myself.

BASED INEdmonton, AB
RESPONSE TIMEWithin 24 hours

$100$20,000
Thanks! Your message is on its way. I'll be in touch within one business day.
Living Loud spread

Nova Initia.

An editorial on student loneliness.

Six-spread editorial exploring depression, burnout, and loneliness among students aged 18 to 22 living away from home for the first time. Research and audience analysis defined the emotional and social challenges that shaped the design direction.

Early concepts outlined audience needs like social validation, identity instability, and harmful coping behaviours, which pointed toward a design direction focused on honesty, vulnerability, and emotional realism rather than overly polished wellness aesthetics.

Discipline
Editorial design
Year
2025
Format
Six magazine spreads
Role
Design, research, photo direction
Nova Initia cover
Table of contents spread
Everyone's Watching spread
Pull-quote spread
You don't owe the crowd spread
After the Party spread
honest.
After the Party detail

Visual decisions.

Subdued, introspective editorial tone built from dark backgrounds, restrained colour, and high-contrast typography. Inspired by the raw, candid aesthetic of Enfants Riches Déprimés.

Spreads feature flash-lit photography, quiet body language, and generous negative space to emphasize isolation and emotional tension. Large serif headlines, restrained colour accents, and asymmetric layouts create editorial pacing.

Typography & pacing.

Typography followed a strict spec sheet, defining headline, subhead, body, and pull-quote treatments to keep all six spreads visually coherent.

Asymmetric layouts and varied scale create editorial pacing, reinforcing themes of loneliness, social pressure, and introspection while holding a refined, contemporary magazine aesthetic.

Behind the scenes — colophon

"Honest, vulnerable, and quietly devastating. The kind of editorial design that actually says something."

Placeholder pull-quote — replace with a real review

Want something like this?

Editorial design, art direction, and photography projects, scoped to your story.

VCD Handbook title spread

VCD Handbook.

An accessible handbook for design students.

A 21-page screen-optimized handbook for the University of Alberta's Visual Communication Design program. Designed for both readability and WCAG 2.1 AA conformance from the very first spread, ensuring proper readability for a variety of audiences.

The document is fully optimized to support readers with visual disabilities such as blindness and colour-blindness, as well as being optimized for those who have neurodevelopmental disabilities that can impact reading longer documents, such as dyslexia, ADHD, and autism spectrum disorder.

Discipline
Editorial & Accessibility
Year
2026
Format
21-page interactive PDF
Standard
WCAG 2.1 AA validated
Land Acknowledgement and Program Aims spread
Grading, Expectations, and Evaluation
Academic Integrity
Student Resources
accessible.
On-Campus Facilities

Function meets feeling.

Accessibility is often treated as a checklist to satisfy after a design is finished. Here it shaped the design from the start. Semantic heading structure, defined tab order, alt text on every image, and AAA-grade contrast in headings, all without flattening the visual language.

Validated using Adobe Acrobat's Accessibility Checker. AAA WCAG contrast grading where possible. The handbook proves inclusive does not have to mean lifeless.

Information that breathes.

Yellow accent panels carry critical information without overwhelming the page. Bold display headlines anchor each section. Mountain photography runs as a tonal thread through the document, tying every spread back to the University of Alberta's geography.

Photography sourced from Carter Hallett, Madison Bolack, Creative Commons, and Pexels.com, with full attribution in the colophon.

Elko Engineering Garage interior
Faculty, Staff, and Community
Colophon

"Full WCAG 2.1 AA conformance, validated in Adobe Acrobat. Accessibility designed in, not bolted on."

Project notes — Madison Bolack, April 2026

Need an accessible document?

Reports, handbooks, policy guides, and editorial PDFs, designed for WCAG conformance without losing the brand.

Editing mode Click any image slot to upload photos of the cards, logo studies, playtest sessions, and LCA charts. They save in your browser so refreshing keeps them.
Add hero image
A spread of finished cards works well

ECO.

A card game built around mindful consumption.

ECO started from a simple frustration. Most strategy games like Catan have too many rules and a single rigid path. Card games like Uno are household staples because they are small, fast, and versatile. We wanted that same flexibility, with an ecological education built into the play rather than bolted onto the box.

The deck features four suits — sustainable sourcing, community impact, energy consumption, and fuel exhaustion — each mapped to a colour, a symbol, and a numeric value. Multiple game modes are printed directly on the packaging rather than tucked into an instruction sheet, so a single deck unlocks dozens of games.

Discipline
Brand & Product
Year
2025
Format
Card deck + brand system
Scope
Logo, cards, packaging, LCA
Add a hero card
Portrait, single card or stack
Logo development

From sketch to system.

The name ECO is a deliberate nod to UNO. Simple, catchy, immediately legible as a card game. The mark moved through dozens of sketches before landing on a logo that balances biophilic iconography (water, sun, plants) with a geometric base that holds up at deck size.

Sketches
Refinement
Final mark
play.
Add card spread

The brand system.

Four suits, four colours, four symbols, drawing on biophilic forms: water, sun, plants, and natural imagery. The suits interact in a four-way dynamic where positive resources (sustainable sourcing, community impact) reward discarding, and negative resources (energy consumption, fuel exhaustion) force players to pick up. Sustainable sourcing beats energy consumption. Community impact beats fuel exhaustion. Court cards are reimagined as seed, plant, and tree.

The colour system stays readable in poor lighting and at distance. The deck is housed in a two-piece magnet-closure box that avoids toxic adhesives entirely.

Process & pivots.

Day three forced a reset. The original brief tried to anchor the game to a specific Canadian ecological event, the 2016 Fort McMurray wildfires or the looming environmental impact of large-scale AI data centres in Alberta. Both felt either too vague to play or too abstract to translate. The pivot was systemic: instead of retelling crises, the game would teach the everyday decisions of production and consumption.

Day four reframed the whole brief from top-down visual design toward bottom-up systemic thinking. The accompanying essay documents the iteration loops, the rules reshape (starting hand from seven to five cards, value-based rewards), and the moment the court cards became seed, plant, and tree.

Playtest photo
Process spread
Iteration shot
Life Cycle Assessment

The wicked problem.

The first wicked problem hit early. Optimizing for biodegradability and recyclability cost us card durability. Stronger materials meant longer-lasting cards but higher end-of-life impact. The compromise was Mohawk Via Vellum stock (non-chlorine-bleached, manufactured on wind-sourced electricity), non-toxic soy-based inks, and the magnet-closure box that avoided adhesives.

LCA chart or summary

The LCA traced sourcing, transit, energy use, household play, and end-of-life disposal. The box is reusable. The cards are recyclable with household paper rather than requiring special disposal.

The full report sits alongside the brand as part of the product story, not buried in an appendix. Transparency was the point.

"We didn't want eco-washing. We wanted systemic ecological education through play."

Project notes — Madison Bolack

Want a brand built like this?

Full brand systems with research, identity, and product design from the same hand.